The sculptures in Lisa Hilton’s sun-washed studio are classically designed pieces, interwoven with unexpected additions of fantasy. On one side, an elegant clay woman poses on a litter made from a copper leaf, carried by a giant ant. Along the wall, another female figure cradles a metal nest, her limbs resembling the lichen-covered bark of a tree. And then there are the porcelain animals in the center of Hilton’s studio and at the heart of her current sculpture series.

